It Takes A Lot To Laugh, It Takes A Train To Cry
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"It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by
Bob Dylan Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career sp ...
, that was originally released on his album ''
Highway 61 Revisited ''Highway 61 Revisited'' is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on ever ...
''. It was recorded on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled ''Bob Dylan's Greatest Hits 2''. An earlier, alternate version of the song has been released, in different takes, beginning with the appearance of one take on ''
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 ''The Bootleg Series Volumes 1–3'' is a box set by Bob Dylan issued on Columbia Records. It is the first installment in Dylan's Bootleg Series, comprising material spanning the first three decades of his career, from 1961 to 1989. It has been c ...
'' in 1991.


Music and lyrics

The version of the song on ''Highway 61 Revisited'' is an acoustic/electric blues song, one of three blues songs on the album (the others being " From a Buick 6" and "
Just Like Tom Thumb's Blues "Just Like Tom Thumb's Blues" is a song written and performed by Bob Dylan. It was originally recorded on August 2, 1965, and released on the album ''Highway 61 Revisited''. The song was later released on the compilation album ''Bob Dylan's Great ...
"). It is made up of lines taken from older blues songs combined with Dylan's own lyrics. Rather than the aggression of some of the other songs Dylan wrote during this time, "It Takes a Lot to Laugh, It Takes a Train to Cry" reflects world-weary resignation. The imagery is sexual, and the song can be interpreted as an allegory of someone who is sexually frustrated. Dylan would return to similar images and suggestions in later songs, such as " I Dreamed I Saw St. Augustine" and " Senor (Tales of Yankee Power)". This version was recorded on July 29, 1965, the same day that Dylan also recorded "
Positively 4th Street "Positively 4th Street" is a song written and performed by Bob Dylan, first recorded in New York City on July 29, 1965. It was released as a single by Columbia Records on September 7, 1965, reaching on Canada's '' RPM'' chart, on the U.S. ''B ...
" and "
Tombstone Blues "Tombstone Blues" is the second song on Bob Dylan's 1965 album ''Highway 61 Revisited''. Musically it is influenced by the blues, while the lyrics are typical of Dylan's surreal style of the period, with such lines as "the sun's not yellow, it's ...
". Musically, the song has a lazy tempo driven by lazy-slap drumming with a shuffling beat and slight emphasis on the offbeat from session drummer Bobby Gregg. There is also a barrelhouse piano part played by Paul Griffin, a raunchy bass part played by Harvey Brooks, an electric guitar part played by
Mike Bloomfield Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his ...
and an unusual harmonica part. An earlier version of the song went by the title "Phantom Engineer". This version has a more upbeat tempo and four lines of different lyrics. It was recorded on June 15, 1965, the same day that recording of "
Like a Rolling Stone "Like a Rolling Stone" is a song by American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted fro ...
" began. Different takes of the June 15 version may be heard on ''
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 ''The Bootleg Series Volumes 1–3'' is a box set by Bob Dylan issued on Columbia Records. It is the first installment in Dylan's Bootleg Series, comprising material spanning the first three decades of his career, from 1961 to 1989. It has been c ...
'', '' The Bootleg Series Vol. 7: No Direction Home'', and the 2-disc version of '' The Bootleg Series Vol. 12: The Cutting Edge 1965–1966''. Take 1 of the song, released on ''The Bootleg Series Vol. 12'' and on Dylan's
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channel, is played in a more moderately paced, brooding arrangement, before Dylan and the musicians settled on a more upbeat version. On ''The Bootleg Series Vol. 7'' and ''The Bootleg Series Vol. 12'', the version is a speedy bouncing blues with a signature guitar riff being played on each bar and a fast clicking organ. (The 6-disc and 18-disc editions of ''The Bootleg Series Vol. 12'' include outtakes from both the June 15 and July 29 sessions.)


Live performances

The song's live debut came as part of Dylan's controversial electric set, backed by members of
The Paul Butterfield Blues Band Paul Vaughn Butterfield (December 17, 1942May 4, 1987) was an American blues harmonica player, singer and band leader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his n ...
and Al Kooper, at the
Newport Folk Festival Newport Folk Festival is an annual American folk-oriented music festival in Newport, Rhode Island, which began in 1959 as a counterpart to the Newport Jazz Festival. It was one of the first modern music festivals in America, and remains a foca ...
on July 25, 1965, after "
Maggie's Farm "Maggie's Farm" is a song written by Bob Dylan, recorded on January 15, 1965, and released on the album '' Bringing It All Back Home'' on March 22 of that year. Like many other Dylan songs of the 1965–66 period, "Maggie's Farm" is based on elect ...
". After being heckled during the electric set, and especially during "It Takes a Lot to Laugh, It Takes a Train to Cry", by fans who wanted Dylan to play acoustic folk music, Dylan returned to play acoustic versions of "
Mr. Tambourine Man "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album '' Bringing It All Back Home''. The song's popularity led to Dylan recording it live many times, and it has been includ ...
" and "
It's All Over Now, Baby Blue "It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his '' Bringing It All Back Home'' album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acousti ...
". The Newport performance of "It Takes a Lot to Laugh, It Takes a Train to Cry" features jamming by guitarist Bloomfield and organist
Al Kooper Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is a retired American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. ...
. Kooper preferred the alternate version to the version that ended up on ''Highway 61 Revisited''. The Newport performance was released in 2018 on ''Live 1962-1966: Rare Performances From The Copyright Collections.'' Dylan played it live as part of his set in the August 1971
Concert for Bangladesh The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt)Harry, p. 135. was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were he ...
. This version was included in the concert film and
Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pr ...
-winning album of the same title. A November 1975 performance of the song from Dylan's
Rolling Thunder Revue The Rolling Thunder Revue was a 1975–1976 concert tour by American singer-songwriter Bob Dylan with numerous musicians and collaborators. The purpose of the tour was to allow Dylan, who had now become a major recording artist and concert perfor ...
tour was released on the 2002 album '' The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue''. In 2019, that performance and three other live renditions of the song from the same tour were released on the box set '' The Rolling Thunder Revue: The 1975 Live Recordings''. Dylan performed a jazz arrangement of the song backed by the Wynton Marsalis Septet at a concert in
Lincoln Center Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 milli ...
in 2004. This acclaimed version eventually received an official release on the ''United We Swing'' compilation album in 2018. According to his website, Dylan has played the song in concert over 200 times between 1965 and 2021.


Legacy

Steely Dan borrowed a line from the song as the title of their debut album ''
Can't Buy a Thrill ''Can't Buy a Thrill'' is the debut studio album by American rock band Steely Dan, released in November 1972 by ABC Records. The album was written by band members Donald Fagen and Walter Becker, recorded in August 1972 at the Village Recorder ...
'' (1972). In a 2005 poll of artists reported in ''
Mojo Mojo may refer to: * Mojo (African-American culture), a magical charm bag used in voodoo Arts, entertainment and media Film and television * MOJO HD, an American television network * ''Mojo'' (play), by Jez Butterworth, made into a 1997 film * ' ...
'', "It Takes a Lot to Laugh, It Takes a Train to Cry" was listed at number 87 of the all time Bob Dylan songs.


Notable covers

* Steve Stills on '' Super Session'' in 1968 * Leon Russell on ''
Leon Russell and the Shelter People ''Leon Russell and the Shelter People'' is the second solo album by the singer-songwriter and multi-instrumentalist Leon Russell. Released in 1971, it peaked at number 17 on the Billboard Hot 200 in the United States. The album has gold certificat ...
'' in 1971 *
Marianne Faithfull Marianne Evelyn Gabriel Faithfull (born 29 December 1946) is an English singer and actress. She achieved popularity in the 1960s with the release of her hit single " As Tears Go By" and became one of the lead female artists during the British I ...
on '' Rich Kid Blues'' in 1985 *
Taj Mahal The Taj Mahal (; ) is an Islamic ivory-white marble mausoleum on the right bank of the river Yamuna in the Indian city of Agra. It was commissioned in 1631 by the Mughal emperor Shah Jahan () to house the tomb of his favourite wife, Mu ...
on '' Tangled Up in Blues'' in 1999 *
Paul Westerberg Paul Harold Westerberg (born December 31, 1959) is an American musician, best known as the lead singer, guitarist, and songwriter for the Replacements. Following the breakup of the Replacements, Westerberg launched a solo career that saw him re ...
on ''Highway 61 Revisited Revisited'' in 2005 *
Robyn Hitchcock Robyn Rowan Hitchcock (born 3 March 1953) is an English singer-songwriter and guitarist. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar. After leading the Soft Boys in the late 1970s and releasing the ...
on ''
This Is the BBC ''This Is the BBC'' is an album by Robyn Hitchcock, released on the Hux Records label in April 2006. It rounds up fourteen tracks recorded for radio, primarily with Andy Kershaw between 1995 and 1999. It can therefore be viewed as a sequel pie ...
'' in 2006 *
Lucinda Williams Lucinda Gayle Williams (born January 26, 1953) is an American singer-songwriter and a solo guitarist. She recorded her first two albums: '' Ramblin' on My Mind'' (1979) and '' Happy Woman Blues'' (1980), in a traditional country and blues style ...
on ''Bob's Back Pages - A Night of Bob Dylan Songs'' in 2020


References


External links


Lyrics
{{Authority control Bob Dylan songs Songs written by Bob Dylan 1965 songs Song recordings produced by Bob Johnston